início
CALL FOR PAPERS: UNTIL JUNE 30, 2022
O teatro de Gil Vicente é uma instituição centenária situado na zona histórica da cidade de Barcelos, que possui uma longa tradição cultural manifestada na sua riqueza arquitectónica, artesanal e artística. Esta será a cidade anfitriã desta conferência que procura respostas aos novos desafios do design e comunicação digital.
Gil Vicente Theater is a centennial institution located in the historic area of the city of Barcelos, which has a long cultural tradition manifested in its architectural, artisanal and artistic heritage. This will be the host city of the conference that seeks answers to the new challenges of digital design and communication.
A Digicom - 4th International Conference on Digital Design and Communication é organizada pela Escola Superior de Design do Instituto Politécnico do Cávado e do Ave e pelo ID+, Research Institute for Design Media and Culture, com a cooperação do CECS-UM. O digital é cada vez mais ubíquo e preponderante na nossa sociedade global e em rede. Esta conferência pretende ser um espaço de reflexão e análise sobre os constantes desafios da comunicação digital para a sociedade, as instituições e as marcas. Este evento reúne anualmente os trabalhos de investigadores, académicos e designers de todo o mundo. Embora a Digicom esteja focada na área do Design de Comunicação, o objetivo é a promoção de uma discussão aberta, ampla e plural, agregando diferentes áreas do conhecimento, nomeadamente das Artes, Tecnologia, Ciências da Comunicação, Ciências da Educação, Branding, Marketing, etc. A conferência procura assim estimular relações interdisciplinares que contribuam para um sólido desenvolvimento da atividade científica.
Digicom - 6th International Conference on Digital Design and Communication is organized by the Design School of the Polytechnic Institute of Cavado and Ave and by Research Institute for Design Media and Culture (ID+) with the cooperation of Communication and Society Research Centre, University of Minho (CECS-UM). Digital is increasingly ubiquitous and prevalent in our networked and global society. This conference aims to be a space for reflection and analysis on the constant challenges of digital communication for society, institutions and brands. This event brings together annually the work of researchers, academics and designers from around the world. Although Digicom is focused on the area of Communication Design, the objective is the promotion of an open, broad and plural discussion, aggregating different areas of knowledge, namely Arts, Technology, Communication Sciences, Education Sciences, Branding, Marketing, etc. The conference thus seeks to stimulate interdisciplinary relationships that contribute to a solid development of scientific activity.
General Chair
Nuno Martins
ID+ / School of Design, Polytechnic Institute of Cavado and
Ave
Co-chair
Daniel
Brandão
CECS / ICS, University of Minho
Equipa
António
Ferreira
Cristiana Serejo
Jéssica Campos
Jorge Pereira
Isabel Arouca
Isabel Xavier
Paulo
Fernandes
Manuela Cunha
Sérgio Dominique
Voluntários
Alunos do Mestrado em
Design Digital
Credits
Nuno Martins (Direção de Arte)
Luís Eustáquio (Web
Design)
Paulo Fernandes (Web Development)
António Ferreira (Vídeo e Motion Graphics)
General Chair
Nuno Martins
Research Institute for Design, Media and Culture (ID+),
School of Design, Polytechnic Institute of Cavado and Ave
Co-chair
Daniel
Brandão
Communication and Society Research Centre, Institute of Social Sciences, University of Minho
(CECS-UM)
Team
Ana
Catarina Silva
Cátia Vidinhas
Jorge Ribeiro
Helena Carvalho
Isabel Xavier
Vânia
Vieira
Leonardo Pereira
Sérgio Dominique
Volunteers
Students of Digital Design
Master
Credits
Nuno Martins (Design and Art Direction)
Daniel Brandão (Editorial
Design)
Luís Eustáquio (Web Design)
Paulo Fernandes (Web Development)
António Ferreira (Video e Motion
Graphics)
Albert Inyoung Choi
College of Design - Hanyang University (Korea)
Alberto
Sá
Universidade do Minho (PT)
Álvaro Sousa
Universidade de Aveiro
(PT)
Ana Catarina Silva
Escola Superior de Design IPCA (PT)
Ana Filomena
Curralo
IPVC (PT)
Anastasios E. Politis
University of West Attica
(GR)
Ana Correia de Barros
Fraunhofer Portugal AICOS (PT)
Andreia
Sousa
Universidade Lusófona do Porto (PT)
Arafat Al-Naim
Dean of College of
Design - American University in the Emirates (EAU)
Catarina Lelis
University of West
London (UK)
Catarina Moura
Universidade da Beira Interior (PT)
Catherine
Prentice
Griffith University (AUS)
Cátia Rijo
Escola Superior de Educação
IPL (PT)Chee Seng Bernard Tan
University of Saint Joseph (China)
Cláudia
Lima
Universidade Lusófona do Porto (PT)
Cristina Sylla
Universidade do
Minho (PT)
Daniel Brandão
Universidade do Minho (PT)
Denitsa
Petrova
The University of Edinburg (UK)
Daniel Raposo
Politécnico Castelo
Branco (PT)
Derek Lackaff
School of Communications Elon University (US)
Dina
Riccò
Politecnico di Milano (IT)
Douglas Luiz Menegazzi
Universidade
Federal de Santa catarina (BR)
Eliana Penedos
Universidade do Porto
(PT)
Elizete de Azevedo Kreutz
Universidade Univates (BR)
Emília
Duarte
IADE (PT)
Emílio Gil
Universidades Europeia de Madrid
(ES)
Fabrício Fava
Faculdade de Belas da Universidade do Porto (PT)
Farley
Millano
Universidade da Beira Interior (PT)
Fernando Moreira da
Silva
Faculdade de Arquitetura da Universidade de Lisboa (PT)
Fernando Galindo
Rubio
Universidad Pontificia de Salamanca (ES)
Fernando Suarez
Carballo
Universidad Pontificia de Salamanca (ES)
Frederico
Braida
Universidade Federal de Juiz de Fora (BR)
Gerry Leonidas
University
of Reading (UK)
Gonçalo Falcão
Universidade de Lisboa (PT)
Hande
Ayanoglu
Universidade do Porto (PT)
Heitor Alvelos
IADE
(PT)
Ildo Francisco Golfetto
Universidade Federal de Santa Catarina (BR)
João
Alves de Sousa
Universidade Lusófona do Porto (PT)
João Abreu
Politécnico
de Lisboa (PT)
João Brandão
Faculdade de Arquitectura, Universidade de Lisboa
(PT)
João Neves
Politécnico Castelo Branco (PT)
Jorge
Pereira
Escola Superior de Design IPCA (PT)
Jorge Vazquez
Herrero
Universidade de Santiago de Compostela (ES)
José Silva
Politécnico
Castelo Branco (PT)
Juan Ra Martin
Universidad Pontificia de Salamanca
(ES)
Karel van der Waarde
Swinburne University of Technology, Melbourne
(AU)
Krasimira Borisova Drumeva
ST Cyril and St. Methodius, University of Veliko Tarnovo,
Faculty of Fine Arts (BG)
Leonardo Pereira
Universidade de Aveiro (PT)
Lev
Manovich
City University of New York (US)
Luís Leite
ESMAD-IPP (PT)
Luís Santos
Universidade do Minho (PT)
Marco Neves
Universidade
de Lisboa (PT)
Margarita Köhl
University of Applied Sciences (AUS)
Mario
Buono
University of Campania (IT)
Marta Fernandes
Politécnico do Porto
(PT)
Manuel Montes Vozmediano
Universidad Rey Juan Carlos (ES)
Miguel
Carvalhais
INESC TEC & FBAUP (PT)
Nelson Zagalo
Universidade de
Aveiro (PT)
Nuno Coelho
Universidade de Coimbra (PT)
Nuno
Martins
Escola Superior de Design IPCA (PT)
Patricia Ranzo
Università
degli Studi della Campania (IT)
Pau Garcia
Domestic Data Streamers / Elisava (ES)
Pedro Amado
Universidade do Porto (PT)
Pedro
Portela
Universidade do Minho (PT)
Ricardo Melo
Fraunhofer Portugal AICOS
(PT)
Richard Brophy
Independent College Dublin (Ireland)
Rita
Almendra
Universidade de Lisboa (PT)
Rita Espanha
ISCTE (PT)
Rui Rodrigues
ESMAD-IPP (PT)
Sara Balonas
Universidade do Minho
(PT)
Sara Pereira
Universidade do Minho (PT)
Sara
Santos
Universidade de Aveiro (PT)
Sílvia Barros de Held
Universidade de
São Paulo (BR)
Sérgio Dominique
Escola Superior de Hotelaria e Turismo IPCA
(PT)
Susana Barreto
Universidade do Porto (PT)
Teresa
Ruão
Universidade do Minho (PT)
Tiago Assis
Universidade do Porto
(PT)
Tiago Navarro Marques
Universidade de Évora (PT)
Vanda
Sousa
Politécnico de Lisboa (PT)
Vera Barradas Martins
Politécnico
Portalegre (PT)
Vítor Quelhas
ESMAD-IPP (PT)
Albert Inyoung Choi
College of Design - Hanyang University (Korea)
Alberto
Sá
Universidade do Minho (PT)
Álvaro Sousa
Universidade de Aveiro
(PT)
Ana Catarina Silva
Escola Superior de Design IPCA (PT)
Ana Filomena
Curralo
IPVC (PT)
Ana Carla Amaro
Universidade de Aveiro
(PT)
Ana Clara Roberti
CITCEM (PT)
Ana Correia de
Barros
Fraunhofer Portugal AICOS (PT)
Ana Filomena Curralo
IPVC
(PT)
André Rangel
FBAUP CITAR (PT)
Andreia Sousa
Universidade
Lusófona do Porto (PT)
Camila Soares
FBAUP (PT)
Catarina
Lelis
University of West London (UK)
Catarina Moura
Universidade da Beira
Interior (PT)
Cátia Rijo
Escola Superior de Educação IPL (PT)
Cláudia
Lima
Universidade Lusófona do Porto (PT)
Cristina Sylla
Universidade do
Minho (PT)
Daniel Brandão
Universidade do Minho (PT)
Daniel
Raposo
Politécnico Castelo Branco (PT)
Dario Lanza
Universidad Complutense
de Madrid (ES)
Derek Lackaff
School of Communications Elon University
(US)
Dina Riccò
Politecnico di Milano (IT)
Doris
Kosminsky
Universidade Federal do Rio de Janeiro (BR)
Eliana
Penedos
Universidade do Porto (PT)
Elizete de Azevedo Kreutz
Universidade
Univates (BR)
Emília Duarte
IADE (PT)
Fabrício Fava
Faculdade de
Belas da Universidade do Porto (PT)
Fernando Olivares Delgado
Universidad de Alicante
(ES)
Fernando Moreira da Silva
Faculdade de Arquitetura da Universidade de Lisboa
(PT)
Fernando Suarez Carballo
Universidad Pontificia de Salamanca
(ES)
Francisco Paiva
Universidade da Beira Interior (PT)
Filipe
Lopes
Escola Superior de Media Artes e Design IPP (PT)
Frederico
Braida
Universidade Federal de Juiz de Fora (BR)
Gerry Leonidas
University
of Reading (UK)
Hande Ayanoglu
IADE (PT)
Heitor
Alvelos
Universidade do Porto (PT)
Ildo Francisco Golfetto
Universidade
Federal de Santa Catarina (BR)
João Abreu
Politécnico de Lisboa (PT)
João
Alves de Sousa
Universidade Lusófona do Porto (PT)
João Brandão
Faculdade
de Arquitectura, Universidade de Lisboa (PT)
João Neves
Politécnico Castelo Branco
(PT)
João Tiago Santos
Escola Superior de Artes e Design (PT)
Jorge
Pereira
Escola Superior de Design IPCA (PT)
Jorge dos Reis
Faculdade de
Bela Artes U. Lisboa (PT)
Jorge Vazquez Herrero
Universidade de Santiago de Compostela
(ES)
José Gago Silva
Universidade de Évora (PT)
Juan Ra
Martin
Universidad Pontificia de Salamanca (ES)
Karel van der
Waarde
Swinburne University of Technology, Melbourne (AU)
Krasimira Borisova
Drumeva
ST Cyril and St. Methodius, University of Veliko Tarnovo, Faculty of Fine Arts
(BG)
Leonardo Pereira
Universidade de Aveiro (PT)
Letícia Pedruzzi
Fonseca
Universidade Federal do Espírito Santo (BR)
Lev Manovich
City
University of New York (US)
Luís Leite
ESMAD-IPP (PT)
Luís
Paschoarelli
Universidade Estadual Paulista (BR)
Luís Santos
Universidade
do Minho (PT)
Maria João Félix
Escola Superior de Design IPCA (PT)
Mario
Buono
University of Campania (IT)
Marta Fernandes
Politécnico do Porto
(PT)
Manuel Montes Vozmediano
Universidad Rey Juan Carlos (ES)
Miguel
Carvalhais
INESC TEC & FBAUP (PT)
Nelson Zagalo
Universidade de Aveiro
(PT)
Nuno Coelho
Universidade de Coimbra (PT)
Nuno Martins
Escola
Superior de Design IPCA (PT)
Patricia Ranzo
Università degli Studi della Campania
(IT)
Pau Garcia
Domestic Data Streamers / Elisava (ES)
Pedro
Amado
Universidade do Porto (PT)
Pedro Beça
Universidade de Aveiro
(PT)
Pedro Cardoso
Universidade de Aveiro (PT)
Pedro
Portela
Universidade do Minho (PT)
Priscila Farias
Universidade de São
Paulo (BR)
Ricardo Melo
Fraunhofer Portugal AICOS (PT)
Rita
Almendra
Universidade de Lisboa (PT)
Rita Espanha
ISCTE
(PT)
Rita Santos
Universidade de Aveiro (PT)
Rodrigo
Carvalho
ESMAD-IPP (PT)
Rui Rodrigues
ESMAD-IPP (PT)
Sara
Balonas
Universidade do Minho (PT)
Sara Goldchmit
Universidade de São Paulo
(BR)
Sara Santos
Universidade de Aveiro (PT)
Sérgio
Dominique
Escola Superior de Hotelaria e Turismo IPCA (PT)
Susana
Barreto
Universidade do Porto (PT)
Teresa Ruão
Universidade do Minho
(PT)
Tiago Navarro Marques
Universidade de Évora (PT)
Vanda
Sousa
Politécnico de Lisboa (PT)
Vania Baldi
Universidae de Aveiro
(PT)
Vera Barradas Martins
Politécnico Portalegre (PT)
Virgínia Tiradentes
Souto
Universidade de Brasília (BR)
Vítor Quelhas
ESMAD-IPP (PT)
Adérito Fernandes-Marcos is grad. in Comp. Science Eng. from the Nova University of Lisbon, Portugal; holds a Ph.D. in Comp. Graphics from the Technical University of Darmstadt, Germany; and Habilitation (agregação) in Techn. and Information Systems from the University of Minho. He is currently Full Professor at the Faculty of Arts and Humanities of the University of Saint Joseph, Macao, China. He is also Full Professor at the Portuguese Open University; where he founded and was the first Director during 8 years of the Doctoral Program in Digital Media Art, a transdisciplinary joint offer together with the University of Algarve taught in e-learning mode. He is researcher at the Research Centre for Arts and Communication; and collaborates with INESC-TEC and LE@D. He is the President of the Artech-International Assoc. with activities in all over the world in the field of digital media art, founder of the ARTECH (Int. Conf. on Digital and Interactive Arts) and ARTeFACTo (Int. Conf. on Digital Creation in Arts and Communication) conf. series. He is a regular consultant of international boards (e.g., European Commission, Macao Science and Technology Development Fund). His research interests embrace different fields from (post-)digital media arts, arteology, media and human rights to digital education. He is author/co-author of more than 120 publications in journals, conf. proceedings, book chapters and science promotion booklets. He is the editor-in-chief of International Journal of Creative Interfaces and Computer Graphics (ISSN: 1947-3117).
Catarina Lelis began her professional experience in 1997 as a graphic designer. A few years later, she
co-founded a technology-based company, a publishing start-up and the Portuguese Association for Innovation and
Creativity in Organisations.
Her PhD won the first edition of IdeaPuzzle Award and was the foundation for
OurBrand®, a web-based solution for the generation and management of participatory brand centres. With this
project, she won a Silicon Valley entrepreneurship contest and was semi-finalist of MIT-Portugal Innovation
& Entrepreneurship Competition.
In academia since 2007, she has been nationally recognised and funded by
FCT, the main Portuguese research funding agency. She spent six years in the UK, dedicating her teaching and
research efforts to Brand Design and to Service Innovation, where she was heavily supported by London-based
agencies and studios (Pentagram, BBH, Bibliotheque Design, to name a few) and where she was awarded a teaching
fellowship with her project The Impact Plan (www.impact-plan.com).
Currently she teaches at the Department of
Communication and Art of the University of Aveiro, within the division of Sciences and Technologies of
Communication. Her research interests include Brand Design Methods, Smartness in Visual Identities,
Dynamic/Flexible Brands, Design Literacy, Employability in the New Media & Creative Industries, and
Anticipation of Impact in Design Activity.
Matthias Laschke heads a research group at the University of Siegen and leads the BMBF research group MOVEN. His research focuses on behavior change in HCI, with a focus on sustainability and transformation. Other foci of current and past research are various topics in human-computer interaction (HCI), such as experience design, affective computing, and interaction with agentive technologies (i.e., otherware), both in the form of digital and tangible artifacts. Projects he has worked on over the last twelve years have addressed challenges in the following areas, among others: persuasive technologies addressing diverse topics such as sustainability, procrastination, willpower or adherence, design theory and methodological approaches, autonomous and learning systems (e.g., in cars), work motivation (e.g., in healthcare), innovation strategies and technology development. He publishes on the mentioned research and design areas in relevant national and international conferences and journals (peer-reviewed). His work has been published and discussed in various national and international blogs, books (e.g., Evgeny Morozov's bestseller "To Save Everything, Click Here."), and magazines such as the New York Times, Wired, Fast Company, and the R&D Salon of the Museum of Modern Art, New York. Moreover, his work is part of the Deutsche Museum's permanent collection, the world's largest science and technology museum.
A comissão organizadora da DIGICOM convida à apresentação de contribuições originais sob a forma de artigo. Este convite é aberto a todos os investigadores, académicos, designers e estudantes cujos trabalhos se enquadrem no campo do Design e da Comunicação Digital, nomeadamente:
A) Projetos práticos aplicados: projetos desenvolvidos em contexto de investigação, académico ou de mercado, de caráter prático e com potencial relevância social, cultural ou económica.
B) Casos de Estudo: descrição e análise de projetos ou de problemáticas de investigação nos mais variados contextos.
C) Revisão de literatura: apresentação do estado da arte a partir de um problema de investigação.
D) Trabalho de investigação: investigação doutoral ou de mestrado; e novas abordagens e enquadramentos de investigação.
Os artigos a submeter deverão enquadrar-se nas grandes temáticas propostas (os tópicos propostos para cada temática são meramente indicativos para enquadrar os trabalhos, não se pretendendo restritivos):
WEB E DESIGN MULTIMÉDIA
MOTION DESIGN
DESIGN GRÁFICO E BRANDING
SOCIEDADE E COMUNICAÇÃO
The DIGICOM organizing committee invites original contributions in the form of a paper. This invitation is open to all researchers, academics, designers and students whose work falls within the field of Design and Digital Communication, namely:
A) Practical applied projects: projects developed in a research, academic or commercial context, of a practical nature and with a potential social, cultural or economic relevance.
B) Case Studies: description and analysis of projects or research problems in the most different contexts.
C) Literature review: presentation of the state of the art from a certain research problem.
D) Research work: doctoral or master's research; and new approaches and research frameworks.
Submitted papers must follow the main themes proposed for the Conference (the topics proposed in each theme constitute a mere framework reference; they are not intended as restrictive):
WEB AND MULTIMEDIA DESIGN
GRAPHIC DESIGN AND BRANDING
AUDIOVISUAL COMMUNICATION
SOCIETY AND COMMUNICATION
Chamada de artigos
até 30 de junho 2020
Notificação aos
autores
até 31 de julho 2020
Primeira fase de inscrições
até 5 de
outubro 2020
Segunda fase de inscrições
até 1 de novembro
2020
DIGICOM
5-7 de novembro 2020
Call for papersuntil May 31, 2022 until June 30, 2022
(This is the last extension of the deadline!)
Notification to
authors
until July 31, 2022
Receipt of Accepted Papers
(Camera-ready)
until September 5, 2022
Registration phase for
authors
until September 5, 2022
Payment phases for authors
1st
phase: until September 30, 2022
2nd phase: until October 29,
2022
DIGICOM
November 3-5, 2022
ARTIGOS ESCRITOS EM INGLÊS
A submissão do artigo
escrito em inglês deve ser realizada na plataforma OCS Springer:
ARTIGOS ESCRITOS EM PORTUGUÊS OU ESPANHOL
A submissão do
artigo escrito em português ou espanhol deve ser realizada na plataforma Easychair:
MODALIDADE DE PARTICIPAÇÃO
Deve registar-se pelo menos um autor por cada artigo aceite. Um
registo de autor é válido somente para um artigo, devendo registar-se um autor diferente por cada artigo
extra.
1ª Fase (até 5 outubro 2020)
Autor de Artigo:
€90
Autor de Artigo (Estudante): €50*
Autor de Artigo (Estudante
IPCA): €20*
Autor de Artigo (Membro Comissão Científica): €70
....................................................
Público:
€20 GRATUITO
Público (Estudante IPCA): €10
GRATUITO
2ª Fase (até 1 novembro 2020)
Autor de Artigo: €120
Autor de Artigo (Estudante): €65*
Autor de Artigo (Estudante IPCA): €30*
Autor de Artigo (Membro Comissão Científica):
€90
....................................................
Público:
€25 GRATUITO
Público (Estudante IPCA): €15
GRATUITO
* implica a apresentação de um comprovativo de inscrição
actualizado no respectivo curso de mestrado ou doutoramento.
NOTAS
IMPORTANTES:
Com o objetivo de proporcionar uma maior oportunidade para que mais pessoas
apresentem na conferência, cada artigo aceite com múltiplos co-autores deverá ter um registo de autor diferente
na conferência. Para inclusão no Digicom Proceedings e restantes publicações, é necessário pelo menos um registo
por artigo.
O valor da inscrição não inclui almoço nem jantar.
O formulário de inscrição e o respetivo processo de pagamento está disponível no formulário abaixo.
MODALITY OF PARTICIPATION
At least one author must be registered for each accepted paper.
An author registration is valid for only one paper and a different author must be registered for each
extra paper.
AUTHORS
Registration: until September 5, 2022
1st Payment phase: until September 30, 2022
Author: €160
Author
(Student): €70*
Author (IPCA Student ): €20*
Author (Scientific
Commitee Member ): €120
2nd Payment phase: until October 29, 2022
Author: €200
Author
(Student): €100*
Author (IPCA Student ): €35*
Author (Scientific
Commitee Member): €150
* Implies the presentation of an updated proof of registration in the respective master's or doctoral program.
......................................................................................
GENERAL AUDIENCE
All free, all welcome!
Links to the online sessions @ Colibri Zoom will be available in
the conference programme at the end of October 2022.
IMPORTANT
NOTES:
In order to provide a greater opportunity for more people to present at the conference,
each accepted paper with multiple co-authors should have a different conference registrant. However, co-authors
may appear on multiple papers.
For inclusion in the Digicom Proceedings and Publications, at least one
registration per paper is required.
The registration fee does not include lunch or dinner.
The registration form and payment process is available bellow.
Perspectives on Design and Digital Communication: Research, Innovations and Best Practices III.
Springer Series in Design and Innovation, vol 24. Cham, Switzerland: Springer. 2023.
Editors: Nuno Martins, Daniel Brandão and Francisco Paiva.https://doi.org/10.1007/978-3-031-06809-6
Indexed
in Scopus
Perspectives on Design and Digital Communication: Research, Innovations and Best Practices II.
Springer Series in Design and Innovation, vol 14. Cham, Switzerland: Springer. 2021. Editors: Nuno
Martins, Daniel Brandão and Fernando Moreira da Silva. https://doi.org/10.1007/978-3-030-75867-7
Indexed
in Scopus
Perspectives on Design and Digital Communication: Research, Innovations and Best Practices.
Springer Series in Design and Innovation, vol 8. Cham, Switzerland: Springer. 2020. Editors: Nuno Martins,
Daniel Brandão and
Daniel Raposo. https://doi.org/10.1007/978-3-030-49647-0
Indexed in Web of Science and
Scopus
Advances in Design and Digital Communication III:
Proceedings of the 6th International Conference
on Design and Digital Communication, Digicom 2022, November 3–5, 2022, Barcelos, Portugal Editors:
Nuno Martins and Daniel Brandão
https://doi.org/10.1007/978-3-031-20364-0
Indexed in Scopus
(indexation in Web of Science under evaluation)
Advances in Design and Digital Communication II: Proceedings of the 5th International Conference on
Design and Digital Communication, Digicom 2021, November 4–6, 2021, Barcelos, Portugal. Springer
Series in Design and Innovation, vol 19. Cham, Switzerland: Springer. 2022. Editors: Nuno Martins and Daniel
Brandão
https://doi.org/10.1007/978-3-030-89735-2
Indexed in
Web
of Science and Scopus
Proceedings of the Short Papers of the 5th International Conference on Design and Digital Communication, Digicom 2021, 4-6 November 2021, Barcelos, Portugal. Editors: Nuno Martins and Daniel Brandão
Advances in Design and Digital Communication: Proceedings of the 4th International Conference on
Design and Digital Communication, Digicom 2020, November 5–7, 2020, Barcelos, Portugal. Springer
Series in Design and Innovation, vol 12. Cham, Switzerland: Springer. 2021. Editors: Nuno Martins and Daniel
Brandão
https://doi.org/10.1007/978-3-030-61671-7
Indexed in Web of
Science and Scopus
Atas dos Artigos Português e Espanhol da 4.ª Conferência Internacional de Design e Comunicação
Digital, Digicom 2020.
Barcelos: Edição IPCA.
Editors: Nuno Martins and Daniel
Brandão
DIGICOM 2019 - 3rd International Conference on Design and Digital Communication:
Proceedings. November 15–16, 2019, Barcelos, Portugal. Edições IPCA. ISBN: 978-989-54489-5-1.
Editors: Nuno Martins and Daniel Brandão
Indexed in Web of Science
(CPCI)
DIGICOM 2018 - 2nd International Conference on Design and Digital Communication:
Proceedings. November 9–10, 2018, Barcelos, Portugal. Edições IPCA. ISBN: 978-989-99861-8-3.
Editors: Nuno Martins and Daniel Brandão.
Indexed in Web of Science
(CPCI)
DIGICOM 2017 - International Conference on Design and Digital Communication: Proceedings.
November 10–11, 2017, Barcelos, Portugal. Edições IPCA. ISBN: 978-989-99861-5-2. Editors: Nuno
Martins and Daniel Brandão.
Indexed in Web of Science (CPCI)
Secretariado
digicom@ipca.pt
ESD - IPCA
Escola Superior de Design
Campus do IPCA
Lugar do Aldão
4750-810 Vila Frescainha S. Martinho BCL
Teatro Gil Vicente
Largo Dr. Martins Lima 1,
4750-251 Barcelos
Secretariat
digicom@ipca.pt
ESD - IPCA
Escola Superior de Design
Campus do IPCA
Lugar do Aldão
4750-810 Vila Frescainha S. Martinho BCL
Teatro Gil Vicente
Largo Dr. Martins Lima 1,
4750-251 Barcelos
